Kyo-ware&Kiyomizu-ware Artist Profile

茶陶と生きる窯元 中村陶彩苑 中村良二 KOTOPOTTER

A Kiln Shaped by Tea Ceramics | Nakamura Tousai...

A Kyo Ware and Kiyomizu Ware Workshop Continued for Four Generations Nakamura Tousaien is a pottery workshop quietly located in the Kiyomizu ware district of Yamashina, Kyoto. Inside the spacious...

A Kiln Shaped by Tea Ceramics | Nakamura Tousai...

A Kyo Ware and Kiyomizu Ware Workshop Continued for Four Generations Nakamura Tousaien is a pottery workshop quietly located in the Kiyomizu ware district of Yamashina, Kyoto. Inside the spacious...

楽焼とは何か、そしてその先へ。吉村楽入さん インタビュー KOTOPOTTER

What is Raku ware, and what lies beyond? An int...

Raku ware is a type of pottery that originated in Kyoto approximately 400 years ago at the request of Sen no Rikyū.The technique of shaping by hand without a potter's...

What is Raku ware, and what lies beyond? An int...

Raku ware is a type of pottery that originated in Kyoto approximately 400 years ago at the request of Sen no Rikyū.The technique of shaping by hand without a potter's...

茶の湯に根ずく楽茶碗の窯元 楽入窯 KOTOPOTTER

Rakuware kiln, Raku Nyū Gama, rooted in the tea...

Rakunyū Kiln: Rooted in the Tea Ceremony Among Kyoto ware and Kiyomizu ware, Raku ware occupies a unique position. Born from Sen no Rikyu's tea ceremony, its techniques have continued...

Rakuware kiln, Raku Nyū Gama, rooted in the tea...

Rakunyū Kiln: Rooted in the Tea Ceremony Among Kyoto ware and Kiyomizu ware, Raku ware occupies a unique position. Born from Sen no Rikyu's tea ceremony, its techniques have continued...

土と向き合い、自分と向き合う。Jiucasca 前田麻美さんインタビュー-Stories and insights about Japanese pottery, artists, and Kyoto craftsmanship.

Facing the Clay, Facing Myself – Interview with...

“Embracing the Time of Clay” — From Philosophy to the Art of Handmade Ceramics Interview & Text: Masatoshi Yokoyama, Owner of KOTOPOTTER At the foot of Mount Hiei in a...

Facing the Clay, Facing Myself – Interview with...

“Embracing the Time of Clay” — From Philosophy to the Art of Handmade Ceramics Interview & Text: Masatoshi Yokoyama, Owner of KOTOPOTTER At the foot of Mount Hiei in a...

ボタニカルな世界観、陶芸家 前田麻美。-Stories and insights about Japanese pottery, artists, and Kyoto craftsmanship.

A Botanical Aesthetic in Clay – Asami Maeda's C...

Nestled in a serene neighborhood of Kyoto’s Kita Ward with views of Mount Hiei, Jiucasca is the studio of ceramic artist Asami Maeda. Here, she revitalizes the Shimizu-yaki tradition with...

A Botanical Aesthetic in Clay – Asami Maeda's C...

Nestled in a serene neighborhood of Kyoto’s Kita Ward with views of Mount Hiei, Jiucasca is the studio of ceramic artist Asami Maeda. Here, she revitalizes the Shimizu-yaki tradition with...

天目や青瓷のスペシャリスト、和泉良法さん インタビュー-Stories and insights about Japanese pottery, artists, and Kyoto craftsmanship.

Exploring the Art of Tenmoku and Celadon: An In...

Hello, I’m Masatoshi Yokoyama, owner of KOTOPOTTER. Today, I’m excited to share an in-depth conversation with ceramist Yoshinori Izumi, who runs his studio in Keihoku, Kyoto. Izumi-san has captivated many...

Exploring the Art of Tenmoku and Celadon: An In...

Hello, I’m Masatoshi Yokoyama, owner of KOTOPOTTER. Today, I’m excited to share an in-depth conversation with ceramist Yoshinori Izumi, who runs his studio in Keihoku, Kyoto. Izumi-san has captivated many...