Hello and welcome to our blog.
This is Masatoshi Yokoyama, owner of KOTOPOTTER.
This time, I had the pleasure of interviewing Mr. Shunji Mori, the third-generation master of Syunzan Kiln, a Kiyomizu ware kiln that has been active since 1917 (Taisho 6).
Mr. Mori is known for his warm personality and his dedication to preserving traditional Kyoto ceramic techniques while adapting to the times.
We spoke about the history of Syunzan Kiln, its evolving craftsmanship, and its future.
Interview: The History and Craft of Kyoto's Syunzan Kiln
Yokoyama: Syunzan Kiln was founded in 1917. Could you tell us more about its beginnings?
Mr. Mori: That’s right. My grandfather started Syunzan Kiln after moving to Kyoto from Ishikawa Prefecture, where he had worked as a Kutani ware potter. He believed Kyoto would offer more opportunities for refined craftsmanship. Eventually, he established the kiln near Sennyuji Temple, which remains our base today. He also collaborated with Kyoto’s industrial research institute to refine glazes and colors.
*Kutani ware: Traditional porcelain from Ishikawa, known for vibrant colors and elaborate painting.
*Industrial testing: Refers to early 20th-century ceramic research, now part of the Kyoto Municipal Institute of Industrial Technology and Culture.
Yokoyama: You’re the third-generation potter at the kiln. How have the styles and techniques evolved through the generations?
Mr. Mori: While honoring the Kyo and Kiyomizu ware traditions, I focus on expressing warmth through handmade pottery. After high school, I trained at a vocational school and later apprenticed for six years under the late Zenji Miyashita, a renowned Kyoto ceramic artist. The experience laid the foundation for my current work.
*Zenji Miyashita: A master potter known for his work in Nitten exhibitions, based near Sennyuji Temple and mentor to Mr. Mori.
Yokoyama: One hallmark of Syunzan Kiln is its Kenzan-style reproductions. Could you explain more about this technique?
*Kenzan-style: Decorative ceramics inspired by Edo-period artist Ogata Kenzan, known for vivid colors and expressive natural motifs.
Mr. Mori: My grandfather had a different style, but in my father’s time, we began receiving more orders for Kenzan reproductions through Kyoto wholesalers. We create each piece entirely in-house—from forming the clay to painting. This hands-on process highlights the individuality and warmth of traditional Japanese handmade pottery.
Yokoyama: Could you share what makes your handmade pottery distinct?
Mr. Mori: When shaping pottery on the wheel, I intentionally leave subtle irregularities. Too much precision makes it feel cold. These natural variations are what give Kyoto ceramics their unique charm and warmth.
Yokoyama: How do you blend tradition with modern aesthetics?
Mr. Mori: Along with Kenzan motifs, I incorporate seasonal flowers, gold accents, and even lustrous luster glazes that shimmer beautifully. I want people to enjoy Kyoto’s traditional pottery not only at the dining table but also as part of their home decor.
*Luster glaze: A technique using metallic oxides to create iridescent effects, adding elegance to ceramics.
Yokoyama: For first-time buyers, what kind of pieces would you recommend?
Mr. Mori: Our handmade pottery is known for its friendly, inviting appearance. Many pieces elicit an immediate sense of "cute" or "elegant." They’re perfect for everyday use and bring warmth to any table setting. Over time, they develop a beautiful patina unique to each user.
Yokoyama: What efforts are you making to share Kyoto’s traditional crafts with younger generations and international customers?
Mr. Mori: Recently, Kyo and Kiyomizu ware have gained attention overseas, especially for their seasonal Japanese motifs. I’m happy that people can experience a part of Japanese culture through our pottery. I also hope younger people in Japan rediscover the charm of using handmade ceramics in daily life.
Yokoyama: Finally, could you share what visitors can enjoy when touring your showroom or participating in a pottery workshop?
Mr. Mori: Our studio offers a hands-on experience where guests can observe our creative process and try making their own piece. For example, in our raku pottery workshop, you can create a ceramic piece and take it home the same day. We also offer painting experiences using Kenzan-style bisque ware, perfect for discovering the depth and beauty of handmade Japanese pottery.
*Raku ware: A Kyoto-style pottery known for rapid firing and cooling, producing unique textures and natural cracks.
We hope you enjoyed learning about Syunzan Kiln.
With roots in the legacy of Kenzan, this traditional Kyoto pottery workshop continues to evolve to suit modern lifestyles.
We look forward to seeing more beautiful and vibrant pieces from Mr. Mori and his kiln.
KOTOPOTTER Owner
Masatoshi Yokoyama
With over 10 years of experience in traditional Japanese crafts, including Kyo and Kiyomizu ware.
I collaborate closely with Kyoto-based kilns and artisans, constantly seeking new expressions of beauty in Japanese pottery.
In 2024, I launched KOTOPOTTER, an online store dedicated to traditional handmade pottery from Kyoto.